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supported by 9 fans who also own “We know who our enemies are”
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The Flower And The Vessel
by Félicia Atkinson
supported by 8 fans who also own “We know who our enemies are”
An intriguing sensual spheric musical trip...so beautiful... from the first till the last sound on the record...
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supported by 8 fans who also own “We know who our enemies are”
Definitely different from his more recent collaboratively ethereal and leisurely LP's, this is a crepitating, sparsely textured album that sounds like a peregrine mixture of Whitehouse eeriness, Diamanda Galas, and the first Sonic Youth LP if it was played by Jandek. A fascinating LP that is best played at very loud volumes lying on the sofa after a few Fernet Branca's.
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Crisp darkwave reverent to the history of Italian anti-fascist action.
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This Could Be Heaven
by Coordinated Suicides
Coordinated Suicides make noise rock that melds burly, roiling dirges with the harsh and haunting textures of shoegaze and black metal.
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The Red Rail
by Lindblom & Lindblom
Brothers Rickard and Robert Lindblom expand their angular approach to instrumental noise rock, working in kraut, jazz, and drone.
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supported by 7 fans who also own “We know who our enemies are”
Sawtooth distortion and feedback layered with striking, plaintive vocals and flute. Every Man pulls at the heart. Test envelops you in the heavy swell of slowly dispersing matter at the bottom of a distant planet's cold and alien sea.
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